<p>陈真是一个虚构角色，首次由李小龙在 1972 年电影《猛龙过江》中饰演，由于他在 20 世纪初上海对抗日本人的方式，成为香港的文化现象。\n 陈让日本空手道学校的学生吃掉他们写下的 “中华是亚洲病夫” 的纸张的场景尤其受欢迎，还有陈在上海公共公园外砸毁 “禁止狗和中国人入内” 标志的场景。\n 在这里，我们来看两个截然不同的陈真故事的重述。\n《猛龙过江 1991》（电影版，1991）\n 周星驰在当时正处于其 “无厘头” 喜剧巅峰时期，扮演一个受李小龙启发的角色，这个想法并不像听起来那么奇怪。周星驰崇拜李小龙，并且拥有一些基本的功夫技能，可以在荧幕上展现出色的效果。\n\n\n 周星驰从小就是李小龙的粉丝。\n“和他同龄的其他孩子一样，他对李小龙充满了迷恋，” 电影历史学家瑞安·劳在一篇文章中写道。“1971 年，李小龙的《唐山大兄》在香港上映时，周星驰九岁。他开始学习功夫，并让朋友们叫他小龙 [李小龙的昵称]。”\n《猛龙过江 1991》介于对李小龙的致敬、对原版电影的松散现代重述和彻底的奇异之作之间。\n 剧本由刘镇伟编写，演员朱茵执导，保留了故事的核心线索，但通过周星驰独特的喜剧风格进行了扭曲。影片仅通过关键场景和叛逆的感性被认作是翻拍。\n\n 这次，背景设定在 1991 年，而不是过去。周星驰的角色名为青，而不是陈真，他在香港出现并被肯尼·比的角色抢劫，随后迅速成为朋友。\n 在影片最大的李小龙致敬中，周星驰拥有极快的拳速——李小龙据说拳速可达 100 英里每小时（161 公里/小时）——但对功夫并不精通。\n 他在影片的武术指导、编舞者元奎饰演的老大师的指导下学习武术，但被迫成立一个与原版学校同名的竞争学校。\n 一系列阴险的阴谋使周星驰在一场古怪的综合格斗比赛中为被谋杀的师父复仇。\n 周星驰是如此独特的表演者，他在荧幕上只能做自己，他明智地没有模仿李小龙。乐趣来自于观看他将一些经典场景进行喜剧化处理，包括 “中华是亚洲病夫” 的片段。\n 李小龙的粉丝注意到许多对这位大师的快速致敬，比如周星驰咬对手和对原版结尾的快速致敬。\n 正如李小龙所做的那样，周星驰在最后的战斗中遭受重创，直到他反弹回来。这是周星驰唯一一次似乎在努力以他夸张的方式模仿偶像的战斗风格。\n 续集《猛龙过江 1991 II》于 1992 年上映，但令人遗忘。\n《猛龙过江》（电视剧版，1995）\n 这部由香港 ATV 播出的 30 集系列剧，主演为甄子丹饰演的陈真，在 1995 年发布时大获成功。\n 该剧从李小龙的版本中取材，扩展了角色的背景，揭示了他在上海的根源和早期生活，并增加了一段爱情故事，然后遵循影片的一般情节。由陈木胜执导，甄子丹亲自编排动作，是一部令人兴奋的动作系列。\n\n\nATV 决定制作该系列是因为在李连杰 1994 年电影《精武门》成功后，角色重新引起了人们的兴趣。甄子丹和 ATV 的制作团队将该系列视为对李小龙和原版电影的致敬，并对一些更著名的场景进行了改编。\n 然而，甄子丹避免模仿李小龙的截拳道战斗风格。相反，他采用了许多近身的咏春拳动作——这是他和李小龙本人都受过训练的武术。\n 甄子丹在这个陈真的角色中融入了很多自己的元素。这个角色比李小龙的版本更讨人喜欢，甄子丹将他塑造成一个心地善良、社会意识强的年轻人，在生活中偏离了轨道，然后纠正自己，做出正确的选择。\n\n1972 年电影最受欢迎的方面之一是它宣扬了一种不直接支持国家的中国民族主义。《猛龙过江》这部电影展现了一种泛华民族主义，赞扬了中国人民的韧性，而不是国家本身。\n 该系列扩展了电影对 “亚洲病夫” 标签的拒绝。它将焦点转向外国势力及其中国合作者的压迫，然后像原版一样转向占领的日本帝国军队。\n 故事开始时，陈真作为一个农民在广东过着幸福的生活，直到他的家人被强盗杀害。他搬到上海，在一家木材厂工作，挑战那些拒绝支付工人工资的不道德老板。\n 陈真的武术技能使他被犯罪团伙青帮雇佣，他成为了一名黑帮分子，同时爱上了一位日本女孩，遗憾的是，她竟然是日本将军的女儿。\n\n 当陈真的武术老师， honorable old-style Confucian 霍元甲（古天乐饰）——一个真实存在的人物——被谋杀时，陈真离开了犯罪生活，履行师父的遗愿：团结上海的武术学校对抗日本占领者，证明中国不是 “亚洲病夫”。\n 武术场景非常出色——尽管有时速度过快——看起来和大银幕的功夫电影一样好。在狮子舞节庆上的一场打斗甚至让传奇的黄飞鸿，这位狮子舞大师感到自豪。\n 甄子丹在 2010 年回归这一角色，出演刘伟强的《精武风云：陈真》，这是一部有趣的动作电影，完全忽视了他在原版电影中的悲惨死亡。\n 在这一系列关于香港电影最佳作品的常规特辑中，我们审视经典电影的遗产，重新评估其伟大明星的职业生涯，并重温一些被人们遗忘的行业方面。\n 想要更多类似的文章吗？请在 Facebook 上关注 SCMP Film。</p>

<p>周星驰和甄子丹以各自独特的方式重新演绎了李小龙的经典角色陈真。周星驰 1991 年的电影版本将喜剧与武术相结合，而甄子丹 1995 年的电视剧则提供了更具动作感和社会意识的表现。这两部改编作品都向李小龙的遗产致敬，展示了对中国民族主义和武术的不同解读</p>

<p>Chen Zhen, a fictional character first played by Bruce Lee in the 1972 film Fist of Fury, became a cultural phenomenon in Hong Kong because of the way he stood up to the Japanese in Shanghai in the early 1900s.\nA scene in which Chen makes students at a Japanese karate school eat the paper on which they had written “China is the sick man of Asia” was especially popular, as was the scene in which Chen smashes a sign outside a Shanghai public park reading “No dogs or Chinese”.\nHere, we look at two very different retellings of the Chen Zhen story.\nFist of Fury 1991 (film version, 1991)\nThe idea of Stephen Chow Sing-chi, then at the height of his success as a mo lei tau “nonsense” comedian, playing a role inspired by Bruce Lee is not as odd as it sounds. Chow admired Lee, and possessed some basic kung fu skills that could be manipulated to look good on screen.\n\n\nChow had been a fan of Lee since childhood.\n“Like other children of his age, he was fascinated by Bruce Lee,” wrote film historian Ryan Law in an essay. “In 1971, when Lee’s The Big Boss opened in Hong Kong, Chow was nine years old. He began to study kung fu, and made his friends call him Little Dragon [Bruce Lee’s nickname].”\nFist of Fury 1991 falls somewhere between a tribute to Lee, a loose modern retelling of the original film, and an out-and-out oddity.\nScripted by Jeff Lau Chun-wai and directed by actor Rico Chu Tak-on, it retains the story’s core thread but distorts it through Chow’s unique comedic style. The film is recognisable as a remake only through key set pieces and its rebellious sensibility.\n\nThis time, the setting is in 1991 rather than the past. Chow – whose role is called Ching and not Chen Zhen – turns up in Hong Kong and is robbed by Kenny Bee’s character, whom he quickly befriends.\nIn the film’s biggest Bruce Lee reference, Chow has an extremely fast punch – Lee was rumoured to punch at 100mph (161km/h) – but is unschooled in kung fu.\nHe studies martial arts under an old master played by the film’s choreographer, Corey Yuen Kwai, but is forced to form a rival school, which has the same name as the school featured in the original.\nA series of underhanded schemes leads Chow to avenge his murdered master in an eccentric, MMA-style match.\nChow is such a unique performer that he can only ever be himself on screen, and he wisely does not impersonate Lee. The fun comes from watching him put his comedic spin on some classic set pieces from the original movie, including the “China is the sick man of Asia” sequence.\n\nFans of Lee noted many quick references to the master, such as Chow biting an opponent and a lightning-fast nod to the freeze-frame at the end of the original.\nAs Lee did, Chow takes a pasting in the final fight until he bounces back. This is the only time Chow seems to be trying, in his hyper-exaggerated way, to copy his idol’s fighting style.\nA sequel, Fist of Fury 1991 II, arrived in 1992, but it was forgettable.\nFist of Fury (TV version, 1995)\nThis 30-episode series from Hong Kong broadcaster ATV, which stars Donnie Yen Ji-dan as Chen Zhen, was a big hit when it was released in 1995.\nThe show took the character from Lee’s version, expanded the backstory to reveal his roots and early life in Shanghai and added a romance, before following the general arc of the film. With a directing team headed by Benny Chan Muk-sing, and action choreographed by Yen himself, it is a rip-roaring action series.\n\n\nATV decided to make the series thanks to a renewed interest in the character after the success of Jet Li Lianjie’s exemplary retelling of Chen Zhen’s story in the 1994 film Fist of Legend. Yen and ATV’s production team approached the series as a tribute to Bruce Lee and the original film, and riffed on some of the more well-known scenes.\nYen, however, avoids emulating Lee’s jeet kune do fighting style. Instead, he employs a lot of close-in wing chun moves – a discipline in which both he and the master himself were trained.\nYen brings a lot of himself to this portrayal of Chen Zhen. The character is more likeable than Lee’s version, and Yen plays him as a good-hearted, socially conscious youth who veers off course during his life, and then corrects himself and does the right thing.\n\nOne of the most popular aspects of the 1972 film was that it espoused a brand of Chinese nationalism that was not directly supportive of the state. Fist of Fury, the film, featured a kind of pan-Chinese nationalism that praised the resilience of the Chinese people, rather than the nation itself.\nThe series expands on the film’s rejection of the “sick man of Asia” label. It shifts focus to the oppression by foreign powers and their Chinese collaborators before pivoting – like the original – to the occupying Imperial Japanese Army.\nThe story starts with Chen living happily as a peasant in Guangdong until his family is killed by bandits. He moves to Shanghai and starts work in a timber mill, taking on the unscrupulous bosses who refuse to pay the workers their wages.\nChen’s martial arts skills see him employed by the criminal Green Gang, and he becomes a gangster, while falling in love with a Japanese girl who, unfortunately, turns out to be the daughter of a Japanese general.\n\nWhen Chen’s martial arts teacher, the honourable old-style Confucian Huo Yuanjia (Eddy Ko Hung) – a real-life figure – is murdered, Chen leaves his life of crime to carry out his master’s wish: to unite Shanghai’s martial arts schools against the Japanese occupiers and prove that China is not the “sick man of Asia”.\nThe martial arts scenes are excellent – although they are sometimes sped up too much – and look as good as those in a big-screen kung fu film. A fight at a lion dance festival would have even made the legendary Wong Fei-hung, a master lion dancer, proud.\nYen returned to the role in 2010 for Andrew Lau Wai-keung’s Legend of the Fist: The Return of Chen Zhen, an enjoyable action film that completely ignored his dramatic death in the original film.\nIn this regular feature series on the best of Hong Kong cinema, we examine the legacy of classic films, re-evaluate the careers of its greatest stars and revisit some of the lesser-known aspects of the beloved industry.\nWant more articles like this? Follow SCMP Film on Facebook.\n</p>
<div class="lb-trans"><p>陈真是一个虚构角色，首次由李小龙在 1972 年电影《猛龙过江》中饰演，由于他在 20 世纪初上海对抗日本人的方式，成为香港的文化现象。\n 陈让日本空手道学校的学生吃掉他们写下的 “中华是亚洲病夫” 的纸张的场景尤其受欢迎，还有陈在上海公共公园外砸毁 “禁止狗和中国人入内” 标志的场景。\n 在这里，我们来看两个截然不同的陈真故事的重述。\n《猛龙过江 1991》（电影版，1991）\n 周星驰在当时正处于其 “无厘头” 喜剧巅峰时期，扮演一个受李小龙启发的角色，这个想法并不像听起来那么奇怪。周星驰崇拜李小龙，并且拥有一些基本的功夫技能，可以在荧幕上展现出色的效果。\n\n\n 周星驰从小就是李小龙的粉丝。\n“和他同龄的其他孩子一样，他对李小龙充满了迷恋，” 电影历史学家瑞安·劳在一篇文章中写道。“1971 年，李小龙的《唐山大兄》在香港上映时，周星驰九岁。他开始学习功夫，并让朋友们叫他小龙 [李小龙的昵称]。”\n《猛龙过江 1991》介于对李小龙的致敬、对原版电影的松散现代重述和彻底的奇异之作之间。\n 剧本由刘镇伟编写，演员朱茵执导，保留了故事的核心线索，但通过周星驰独特的喜剧风格进行了扭曲。影片仅通过关键场景和叛逆的感性被认作是翻拍。\n\n 这次，背景设定在 1991 年，而不是过去。周星驰的角色名为青，而不是陈真，他在香港出现并被肯尼·比的角色抢劫，随后迅速成为朋友。\n 在影片最大的李小龙致敬中，周星驰拥有极快的拳速——李小龙据说拳速可达 100 英里每小时（161 公里/小时）——但对功夫并不精通。\n 他在影片的武术指导、编舞者元奎饰演的老大师的指导下学习武术，但被迫成立一个与原版学校同名的竞争学校。\n 一系列阴险的阴谋使周星驰在一场古怪的综合格斗比赛中为被谋杀的师父复仇。\n 周星驰是如此独特的表演者，他在荧幕上只能做自己，他明智地没有模仿李小龙。乐趣来自于观看他将一些经典场景进行喜剧化处理，包括 “中华是亚洲病夫” 的片段。\n 李小龙的粉丝注意到许多对这位大师的快速致敬，比如周星驰咬对手和对原版结尾的快速致敬。\n 正如李小龙所做的那样，周星驰在最后的战斗中遭受重创，直到他反弹回来。这是周星驰唯一一次似乎在努力以他夸张的方式模仿偶像的战斗风格。\n 续集《猛龙过江 1991 II》于 1992 年上映，但令人遗忘。\n《猛龙过江》（电视剧版，1995）\n 这部由香港 ATV 播出的 30 集系列剧，主演为甄子丹饰演的陈真，在 1995 年发布时大获成功。\n 该剧从李小龙的版本中取材，扩展了角色的背景，揭示了他在上海的根源和早期生活，并增加了一段爱情故事，然后遵循影片的一般情节。由陈木胜执导，甄子丹亲自编排动作，是一部令人兴奋的动作系列。\n\n\nATV 决定制作该系列是因为在李连杰 1994 年电影《精武门》成功后，角色重新引起了人们的兴趣。甄子丹和 ATV 的制作团队将该系列视为对李小龙和原版电影的致敬，并对一些更著名的场景进行了改编。\n 然而，甄子丹避免模仿李小龙的截拳道战斗风格。相反，他采用了许多近身的咏春拳动作——这是他和李小龙本人都受过训练的武术。\n 甄子丹在这个陈真的角色中融入了很多自己的元素。这个角色比李小龙的版本更讨人喜欢，甄子丹将他塑造成一个心地善良、社会意识强的年轻人，在生活中偏离了轨道，然后纠正自己，做出正确的选择。\n\n1972 年电影最受欢迎的方面之一是它宣扬了一种不直接支持国家的中国民族主义。《猛龙过江》这部电影展现了一种泛华民族主义，赞扬了中国人民的韧性，而不是国家本身。\n 该系列扩展了电影对 “亚洲病夫” 标签的拒绝。它将焦点转向外国势力及其中国合作者的压迫，然后像原版一样转向占领的日本帝国军队。\n 故事开始时，陈真作为一个农民在广东过着幸福的生活，直到他的家人被强盗杀害。他搬到上海，在一家木材厂工作，挑战那些拒绝支付工人工资的不道德老板。\n 陈真的武术技能使他被犯罪团伙青帮雇佣，他成为了一名黑帮分子，同时爱上了一位日本女孩，遗憾的是，她竟然是日本将军的女儿。\n\n 当陈真的武术老师， honorable old-style Confucian 霍元甲（古天乐饰）——一个真实存在的人物——被谋杀时，陈真离开了犯罪生活，履行师父的遗愿：团结上海的武术学校对抗日本占领者，证明中国不是 “亚洲病夫”。\n 武术场景非常出色——尽管有时速度过快——看起来和大银幕的功夫电影一样好。在狮子舞节庆上的一场打斗甚至让传奇的黄飞鸿，这位狮子舞大师感到自豪。\n 甄子丹在 2010 年回归这一角色，出演刘伟强的《精武风云：陈真》，这是一部有趣的动作电影，完全忽视了他在原版电影中的悲惨死亡。\n 在这一系列关于香港电影最佳作品的常规特辑中，我们审视经典电影的遗产，重新评估其伟大明星的职业生涯，并重温一些被人们遗忘的行业方面。\n 想要更多类似的文章吗？请在 Facebook 上关注 SCMP Film。</p>
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周星驰和甄子丹如何以各自的方式重新演绎李小龙的经典角色陈真