<p>一百二十人挤满了哈巴德教堂。当他们走进来，踩掉靴子上的雪，解开毛线围巾时，我意识到在我威斯康星州的小镇上，再也找不到比这更大的犹太人聚会了。而我，一个基督教女性，坐在键盘前，身边是一群演奏犹太歌曲的音乐家。</p>
<p>小提琴手坐得离我如此之近，以至于我可以拨动他们的琴弦。他们手中的乐器几乎有一个世纪的历史。这些小提琴曾在大屠杀期间由犹太人拥有和演奏。作为 “希望的小提琴” 项目的一部分被拯救出来，它们现在在世界各地巡演，既是召唤也是警告：记住，否则历史将重演。</p>
<p>我和我的朋友 Hal 拼车去音乐会，他将担任指挥、主持和小号演奏。在车上，我们讨论了邻近明尼苏达州的移民和海关执法局（ICE），那里有一名女性因抗议他们的存在而失去了生命。我们谈到了领导人将美国的问题归咎于移民，以及武装特工在城市街道上游行。防止历史重演是否已经为时已晚？</p>
<p><img src="https://imageproxy.pbkrs.com/https://s.yimg.com/ny/api/res/1.2/hu87J1u8bMhcxlIVWgHMLw--/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyNDI7aD0xNjU2/https://media.zenfs.com/en/the_huffington_post_584/453f11ad3e167e396232ee36a812bd4d?x-oss-process=image/auto-orient,1/interlace,1/resize,w_1440,h_1440/quality,q_95/format,jpg" alt="" original-src="https://imageproxy.pbkrs.com/https://s.yimg.com/ny/api/res/1.2/hu87J1u8bMhcxlIVWgHMLw--/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyNDI7aD0xNjU2/https://media.zenfs.com/en/the_huffington_post_584/453f11ad3e167e396232ee36a812bd4d"/></p>
<p>音乐会前展示的希望小提琴。每一件乐器在大屠杀期间或之前曾由犹太人拥有，并被修复以纪念曾拥有它们的音乐家。感谢 Nancy Jorgensen 提供。</p>
<p>几年前，我将我的唾液寄给一家家谱公司，得知我有 9% 的阿什肯纳兹犹太血统，可能是从祖父或曾祖父那里遗传来的。我给我的兄弟打了电话。我们搜索了我们的 DNA 亲属，并追溯到我父亲一方的血统，但能够告诉我们更多关于我们血统的人早已去世。</p>
<p>我在天主教家庭长大，跟修女学习钢琴，并为主日弥撒演奏圣歌。但我不仅仅是天主教徒。我的手，熟悉《哈瓦纳吉拉》的和弦，也携带着犹太基因。感觉就像继承了一件艺术品，却不知道我的家族是如何拥有它的。</p>
<p><strong>另请阅读：超级碗期间有一个广告人们没有谈论。它让我感到恐惧。</strong></p>
<p> <em><strong>HuffPost 致力于无畏地报道特朗普政府。点击这里支持我们的使命并成为会员。</strong></em></p>
<p>当人群安静下来时，拉比走上前。他谈到了传统，他的妻子在每一排的尽头点燃蜡烛。他请观众传递火焰，从一支蜡烛到另一支。</p>
<p>“光最美的地方在于，” 他说，“你可以分享它，而这不会减少你拥有的任何东西。”</p>
<p>然后他唱歌，每次他回到副歌时，声音都悄悄加入。<em>Dai, dai, dai, dai, dai…</em></p>
<p>Hal 站起来吹他的号角，我意识到他戴着他的犹太小帽。我们经常一起排练，他从不戴。我以为今晚感觉有必要。Hal 在一个犹太社区长大，听他们的音乐。他的父亲来自波兰的比亚韦斯托克，那里曾有 55,000 名犹太人，但现在只有 2,000 人。他的叔叔在奥斯维辛幸存，但一个姑姑和一个表亲没有。Hal 高高举起公羊角号，他的气息穿过它。生涩的音符在大厅中回响，这是一种旨在唤醒人们的传统。这段音乐对他来说是个人的。</p>
<p><img src="https://imageproxy.pbkrs.com/https://s.yimg.com/ny/api/res/1.2/02OppSltu8iMxcHgIBZigA--/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyNDI7aD05MDc-/https://media.zenfs.com/en/the_huffington_post_584/89eb849e9c7293e84df6bd54e33c6a81?x-oss-process=image/auto-orient,1/interlace,1/resize,w_1440,h_1440/quality,q_95/format,jpg" alt="" original-src="https://imageproxy.pbkrs.com/https://s.yimg.com/ny/api/res/1.2/02OppSltu8iMxcHgIBZigA--/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyNDI7aD05MDc-/https://media.zenfs.com/en/the_huffington_post_584/89eb849e9c7293e84df6bd54e33c6a81"/></p>
<p>作者（左侧）和其他音乐家在希望小提琴音乐会前排练，由编曲和指挥 Hal Kacanek 指导。感谢 Nancy Jorgensen 提供。</p>
<p><em>喜欢这篇文章吗？支持独立新闻事业。支持 HuffPost。</em></p>
<p>当齐奏的小提琴演奏《奥西·沙洛姆》时，每个音符像家人一样依靠着下一个。随着单簧管的加入，声音逐渐增强，接着是小号、大提琴和低音，我想起这些弦乐曾经被沉默。</p>
<p>我们演奏了爱情歌曲和婚礼歌曲。民谣和舞曲。一位坐在我旁边的小提琴手说她要求使用 3/4 大小的小提琴。当她用弓划过琴弦时，我想知道曾经有哪个小犹太男孩或女孩扭动过那些调音钉，并用他们的小手指按在那个指板上。</p>
<p><strong>另请阅读：历史是否在重演？大屠杀时代的小提琴带来希望——以及对明尼苏达的警告</strong></p>
<p>一位小提琴手开场演奏《希内·马·托夫》，当我们其余的人加入时，我感激这个温暖的大厅和我们在音乐会前享用的丰盛自助餐，包括汤、开胃菜和甜点。我想起了一张我曾见过的黑白照片。照片中是一个乐团在寒冷的营地中演奏，或许正在演奏这首歌，歌词的讽刺意味：“兄弟姐妹同住在一起是多么美好和愉快。”</p>
<p>我们演奏了 12 首曲子，然后最后一首曲子由 Hal 的小号开始。像握手一样，单簧管加入，接着是低音单簧管、大提琴、我的部分，最后是弦乐。</p>
<p>希望小提琴因其设计而可以在博物馆中欣赏：曲线和翻新的表面，镶嵌的戴维星。但作为一个活的文物，它们讲述了那些在世界黑暗时刻仍然保持音乐活力的人的故事。</p>
<p><img src="https://imageproxy.pbkrs.com/https://s.yimg.com/ny/api/res/1.2/qVA587Vh4_1Rl_Q0RbbcGQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyNDI7aD05MTM-/https://media.zenfs.com/en/the_huffington_post_584/84850bf5678fb67c55d8a2ef210a6dc5?x-oss-process=image/auto-orient,1/interlace,1/resize,w_1440,h_1440/quality,q_95/format,jpg" alt="" original-src="https://imageproxy.pbkrs.com/https://s.yimg.com/ny/api/res/1.2/qVA587Vh4_1Rl_Q0RbbcGQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyNDI7aD05MTM-/https://media.zenfs.com/en/the_huffington_post_584/84850bf5678fb67c55d8a2ef210a6dc5"/></p>
<p>作者（左侧）在希望小提琴音乐会上演奏，由 Hal Kacanek 指挥和编排，演奏的乐器在大屠杀中幸存。感谢 Nancy Jorgensen 提供。</p>
<p>音乐会后一周，我和 Hal 拼车去另一个音乐活动。我们谈论了当天我们都观看的新闻。明尼阿波利斯又发生了一起抗议者死亡事件，离我开车经过的街道很近。一个人死了，他在离我家仅几个小时的高中上学。</p>
<p>我想到了我们在《希望的小提琴》音乐会上的讲话，乐器不仅是历史，更是警示。大屠杀并不是从集中营和死亡开始的，而是从语言、指责和残酷的正常化开始的。听到明尼苏达的新闻，我在想是否有人意识到这些迹象，或者相信我们可能在重蹈覆辙。</p>
<p><strong>另请阅读：我一生都在节俭。然后一封改变人生的邮件出现在我的收件箱，我不得不做出一个令人恐惧的选择。</strong></p>
<p>《希望的小提琴》现在已经离开我的州，温柔地装在它们的琴盒里，等待在新的地方被新的演奏者使用。我想象着下一个演奏者转动琴轴，用弓划过琴弦，传递希望的信息。</p>
<p>从 5 月 1 日起，它们将会在明尼苏达。</p>
<h3>相关...</h3>
<ul>
<li>毕业 10 年后，一名学生给我发了一个我从未预料到的道歉私信</li>
<li>当我女儿想参加奥运会时，我感到震惊。接下来发生的事情更令人震惊。</li>
<li>我丈夫的医疗团队未能帮助他。然后一个陌生人插手并说了 6 个字，拯救了他的生命。</li>
</ul>
<p><strong>在 HuffPost 上阅读原文</strong></p>

<p>希望小提琴项目展示了大屠杀时期的小提琴，提醒观众铭记历史和纪念的重要性。最近在明尼苏达州举行的一场音乐会上，来自不同背景的音乐家们齐聚一堂，包括一位在键盘上演奏的基督教女性，共同演奏犹太歌曲。此次活动突显了这些曾由犹太音乐家拥有的乐器的重要性，以及认识历史重演迹象的必要性。音乐会成为了团结和与会者共同遗产的深刻提醒，强调了铭记过去以防止未来暴行的重要性</p>

<p>One hundred and twenty people packed the Chabad. As they trudged in, stamping snow from their boots and unwinding woolen scarves, I realized I wouldn’t find a bigger gathering of Jewish people anywhere in my Wisconsin town. And there I was, a Christian woman at the keyboard, with a group of musicians playing Jewish songs.</p>
<div class="lb-trans"><p>一百二十人挤满了哈巴德教堂。当他们走进来，踩掉靴子上的雪，解开毛线围巾时，我意识到在我威斯康星州的小镇上，再也找不到比这更大的犹太人聚会了。而我，一个基督教女性，坐在键盘前，身边是一群演奏犹太歌曲的音乐家。</p>
</div><p>The violinists, seated so close to me that I could have plucked their strings, cradled instruments that were almost a century old. The violins were once owned and played by Jewish people during the Holocaust. Rescued as part of the Violins of Hope project, they now toured the world as both summons and warning: Remember, or history repeats.</p>
<div class="lb-trans"><p>小提琴手坐得离我如此之近，以至于我可以拨动他们的琴弦。他们手中的乐器几乎有一个世纪的历史。这些小提琴曾在大屠杀期间由犹太人拥有和演奏。作为 “希望的小提琴” 项目的一部分被拯救出来，它们现在在世界各地巡演，既是召唤也是警告：记住，否则历史将重演。</p>
</div><p>I had carpooled to the concert with my friend Hal, who would direct, emcee, and play trumpet. On the drive, we discussed ICE in neighboring Minnesota, where a woman lost her life protesting their presence. We talked about leaders blaming immigrants for America’s problems, and about armed agents marching city streets. Was it already too late to prevent repeating history?</p>
<div class="lb-trans"><p>我和我的朋友 Hal 拼车去音乐会，他将担任指挥、主持和小号演奏。在车上，我们讨论了邻近明尼苏达州的移民和海关执法局（ICE），那里有一名女性因抗议他们的存在而失去了生命。我们谈到了领导人将美国的问题归咎于移民，以及武装特工在城市街道上游行。防止历史重演是否已经为时已晚？</p>
</div><p><img src="https://imageproxy.pbkrs.com/https://s.yimg.com/ny/api/res/1.2/hu87J1u8bMhcxlIVWgHMLw--/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyNDI7aD0xNjU2/https://media.zenfs.com/en/the_huffington_post_584/453f11ad3e167e396232ee36a812bd4d" alt="" original-src="https://s.yimg.com/ny/api/res/1.2/hu87J1u8bMhcxlIVWgHMLw--/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyNDI7aD0xNjU2/https://media.zenfs.com/en/the_huffington_post_584/453f11ad3e167e396232ee36a812bd4d"/></p>
<p>Violins of Hope displayed before the concert. Each instrument was owned by a Jewish person before or during the Holocaust and restored to be played in remembrance of the musicians who once owned them. Courtesy of Nancy Jorgensen</p>
<div class="lb-trans"><p>音乐会前展示的希望小提琴。每一件乐器在大屠杀期间或之前曾由犹太人拥有，并被修复以纪念曾拥有它们的音乐家。感谢 Nancy Jorgensen 提供。</p>
</div><p>Several years ago, I sent my spit to a genealogy company and learned that I’m 9% Ashkenazi Jewish, likely inherited from a grandparent or great-grandparent. I called my brother. We searched our DNA relatives and traced this heritage to my father’s side, but the people who could have told us more about our heritage died long ago.</p>
<div class="lb-trans"><p>几年前，我将我的唾液寄给一家家谱公司，得知我有 9% 的阿什肯纳兹犹太血统，可能是从祖父或曾祖父那里遗传来的。我给我的兄弟打了电话。我们搜索了我们的 DNA 亲属，并追溯到我父亲一方的血统，但能够告诉我们更多关于我们血统的人早已去世。</p>
</div><p>Raised Catholic, I studied piano with the nuns and played hymns for Sunday Mass. But I wasn’t just Catholic. My hands, familiar with the chords of “Hava Nagila,” carried Jewish genes too. It felt like inheriting a work of art without knowing how my family came to own it.</p>
<div class="lb-trans"><p>我在天主教家庭长大，跟修女学习钢琴，并为主日弥撒演奏圣歌。但我不仅仅是天主教徒。我的手，熟悉《哈瓦纳吉拉》的和弦，也携带着犹太基因。感觉就像继承了一件艺术品，却不知道我的家族是如何拥有它的。</p>
</div><p><strong>Also Read: There Was One Ad During The Super Bowl That People Aren’t Talking About. It Horrified Me.</strong></p>
<div class="lb-trans"><p><strong>另请阅读：超级碗期间有一个广告人们没有谈论。它让我感到恐惧。</strong></p>
</div><blockquote>
<p><em><strong>HuffPost is committed to fearlessly covering the Trump administration. Click here to support our mission and become a member today.</strong></em></p>
</blockquote>
<div class="lb-trans"><p> <em><strong>HuffPost 致力于无畏地报道特朗普政府。点击这里支持我们的使命并成为会员。</strong></em></p>
</div><p>As the crowd quieted, the rabbi came forward. He spoke about traditions as his wife lit candles at the end of each row. He asked the audience to pass the flame, one candle to the next.</p>
<div class="lb-trans"><p>当人群安静下来时，拉比走上前。他谈到了传统，他的妻子在每一排的尽头点燃蜡烛。他请观众传递火焰，从一支蜡烛到另一支。</p>
</div><p>“The most beautiful thing about light,” he said, “is you can share it and it won’t diminish anything from you.”</p>
<div class="lb-trans"><p>“光最美的地方在于，” 他说，“你可以分享它，而这不会减少你拥有的任何东西。”</p>
</div><p>Then he sang, and voices, quietly, joined each time he returned to the refrain. <em>Dai, dai, dai, dai, dai…</em></p>
<div class="lb-trans"><p>然后他唱歌，每次他回到副歌时，声音都悄悄加入。<em>Dai, dai, dai, dai, dai…</em></p>
</div><p>Hal stood to play his shofar, and I realized he was wearing his yarmulke. We rehearse together often, and he never wears it. I assumed tonight it felt necessary. Hal grew up in a Jewish community, listening to their music. His father came from Bialystok, Poland, where there once were 55,000 Jews, but now there are only 2,000. His uncle survived Auschwitz, but an aunt and cousin did not. Hal held the ram’s horn high, his breath coursing through it. Raw notes echoed through the hall, a tradition meant to shake people out of complacency. This music was personal for him.</p>
<div class="lb-trans"><p>Hal 站起来吹他的号角，我意识到他戴着他的犹太小帽。我们经常一起排练，他从不戴。我以为今晚感觉有必要。Hal 在一个犹太社区长大，听他们的音乐。他的父亲来自波兰的比亚韦斯托克，那里曾有 55,000 名犹太人，但现在只有 2,000 人。他的叔叔在奥斯维辛幸存，但一个姑姑和一个表亲没有。Hal 高高举起公羊角号，他的气息穿过它。生涩的音符在大厅中回响，这是一种旨在唤醒人们的传统。这段音乐对他来说是个人的。</p>
</div><p><img src="https://imageproxy.pbkrs.com/https://s.yimg.com/ny/api/res/1.2/02OppSltu8iMxcHgIBZigA--/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyNDI7aD05MDc-/https://media.zenfs.com/en/the_huffington_post_584/89eb849e9c7293e84df6bd54e33c6a81" alt="" original-src="https://s.yimg.com/ny/api/res/1.2/02OppSltu8iMxcHgIBZigA--/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyNDI7aD05MDc-/https://media.zenfs.com/en/the_huffington_post_584/89eb849e9c7293e84df6bd54e33c6a81"/></p>
<p>The author (far left) and and other musicians rehearse before a Violins of Hope concert under the direction of arranger and conductor Hal Kacanek. Courtesy of Nancy Jorgensen</p>
<div class="lb-trans"><p>作者（左侧）和其他音乐家在希望小提琴音乐会前排练，由编曲和指挥 Hal Kacanek 指导。感谢 Nancy Jorgensen 提供。</p>
</div><p><em>Like this article? Keep independent journalism alive. Support HuffPost.</em></p>
<div class="lb-trans"><p><em>喜欢这篇文章吗？支持独立新闻事业。支持 HuffPost。</em></p>
</div><p>As unison violins played “Osie Shalom,” each note leaned on the next like family. The sound grew as the clarinets joined, then the trumpet, cellos, and bass, and I remembered that these strings had once been silenced.</p>
<div class="lb-trans"><p>当齐奏的小提琴演奏《奥西·沙洛姆》时，每个音符像家人一样依靠着下一个。随着单簧管的加入，声音逐渐增强，接着是小号、大提琴和低音，我想起这些弦乐曾经被沉默。</p>
</div><p>We played love songs and wedding songs. Folk songs and dance tunes. A violinist who sat close to me said she’d requested the ¾ size violin. As she drew the bow across her strings, I wondered what little Jewish boy or girl twisted those same tuning pegs and pressed their little fingers on that fingerboard.</p>
<div class="lb-trans"><p>我们演奏了爱情歌曲和婚礼歌曲。民谣和舞曲。一位坐在我旁边的小提琴手说她要求使用 3/4 大小的小提琴。当她用弓划过琴弦时，我想知道曾经有哪个小犹太男孩或女孩扭动过那些调音钉，并用他们的小手指按在那个指板上。</p>
</div><p><strong>Also Read: Is History Repeating Itself? Holocaust-Era Violins Bring Hope — And A Warning — For Minnesota</strong></p>
<div class="lb-trans"><p><strong>另请阅读：历史是否在重演？大屠杀时代的小提琴带来希望——以及对明尼苏达的警告</strong></p>
</div><p>A single violist opened “Hine Ma Tov,” and as the rest of us added on, I appreciated the heated hall and bountiful buffet of soups, appetizers, and sweets we enjoyed pre-concert. An image came to me of a black-and-white photo I’d once seen. Of musicians in a camp ensemble, in the brutal cold, perhaps playing this very song, and the irony of its words: “How good and how pleasant it is for brothers and sisters to dwell together in unity.”</p>
<div class="lb-trans"><p>一位小提琴手开场演奏《希内·马·托夫》，当我们其余的人加入时，我感激这个温暖的大厅和我们在音乐会前享用的丰盛自助餐，包括汤、开胃菜和甜点。我想起了一张我曾见过的黑白照片。照片中是一个乐团在寒冷的营地中演奏，或许正在演奏这首歌，歌词的讽刺意味：“兄弟姐妹同住在一起是多么美好和愉快。”</p>
</div><p>We played 12 pieces, and then the final number began with Hal on trumpet. Like joining hands, the clarinet added, followed by bass clarinet, cellos, my part, and finally strings.</p>
<div class="lb-trans"><p>我们演奏了 12 首曲子，然后最后一首曲子由 Hal 的小号开始。像握手一样，单簧管加入，接着是低音单簧管、大提琴、我的部分，最后是弦乐。</p>
</div><p>The Violins of Hope could be admired in a museum for their design: curved lines and refurbished finishes, inlaid stars of David. But as a living artifact, they speak the story of those who kept music alive, even when the world went dark.</p>
<div class="lb-trans"><p>希望小提琴因其设计而可以在博物馆中欣赏：曲线和翻新的表面，镶嵌的戴维星。但作为一个活的文物，它们讲述了那些在世界黑暗时刻仍然保持音乐活力的人的故事。</p>
</div><p><img src="https://imageproxy.pbkrs.com/https://s.yimg.com/ny/api/res/1.2/qVA587Vh4_1Rl_Q0RbbcGQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyNDI7aD05MTM-/https://media.zenfs.com/en/the_huffington_post_584/84850bf5678fb67c55d8a2ef210a6dc5" alt="" original-src="https://s.yimg.com/ny/api/res/1.2/qVA587Vh4_1Rl_Q0RbbcGQ--/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyNDI7aD05MTM-/https://media.zenfs.com/en/the_huffington_post_584/84850bf5678fb67c55d8a2ef210a6dc5"/></p>
<p>The author (far left) playing at a Violins of Hope concert, directed and arranged by Hal Kacanek, and featuring instruments that survived the Holocaust. Courtesy of Nancy Jorgensen</p>
<div class="lb-trans"><p>作者（左侧）在希望小提琴音乐会上演奏，由 Hal Kacanek 指挥和编排，演奏的乐器在大屠杀中幸存。感谢 Nancy Jorgensen 提供。</p>
</div><p>One week after the concert, I carpooled with Hal to another musical event. We talked about the news we’d both watched that day. There was another protester’s death in Minneapolis, close enough that I’d driven those streets myself. A man was dead, someone who attended high school just hours from my home.</p>
<div class="lb-trans"><p>音乐会后一周，我和 Hal 拼车去另一个音乐活动。我们谈论了当天我们都观看的新闻。明尼阿波利斯又发生了一起抗议者死亡事件，离我开车经过的街道很近。一个人死了，他在离我家仅几个小时的高中上学。</p>
</div><p>I thought about the remarks at our Violins of Hope concert, that the instruments were not only history, but warning. The Holocaust didn’t begin with camps and death. It began with language, with blame, with the normalization of cruelty. Listening to the news from Minnesota, I wondered if anyone recognized the signs or believed we might be repeating mistakes.</p>
<div class="lb-trans"><p>我想到了我们在《希望的小提琴》音乐会上的讲话，乐器不仅是历史，更是警示。大屠杀并不是从集中营和死亡开始的，而是从语言、指责和残酷的正常化开始的。听到明尼苏达的新闻，我在想是否有人意识到这些迹象，或者相信我们可能在重蹈覆辙。</p>
</div><p><strong>Also Read: I Scrimped My Entire Life. Then A Life-Changing Email Landed In My Inbox And I Had To Make A Frightening Choice.</strong></p>
<div class="lb-trans"><p><strong>另请阅读：我一生都在节俭。然后一封改变人生的邮件出现在我的收件箱，我不得不做出一个令人恐惧的选择。</strong></p>
</div><p>The Violins of Hope have left my state now, lovingly packed in their cases, waiting to be nestled under new chins in new places. I envision the next players turning pegs, sweeping bows across strings, carrying forward a message of hope.</p>
<div class="lb-trans"><p>《希望的小提琴》现在已经离开我的州，温柔地装在它们的琴盒里，等待在新的地方被新的演奏者使用。我想象着下一个演奏者转动琴轴，用弓划过琴弦，传递希望的信息。</p>
</div><p>Starting May 1, they will be in Minnesota.</p>
<div class="lb-trans"><p>从 5 月 1 日起，它们将会在明尼苏达。</p>
</div><h3>Related...</h3>
<div class="lb-trans"><h3>相关...</h3>
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</div><p><strong>Read the original on HuffPost</strong></p>
<div class="lb-trans"><p><strong>在 HuffPost 上阅读原文</strong></p>
</div>

历史是否在重演？大屠杀时期的小提琴为明尼苏达带来了希望和警示